|
Glenn Campbell is a true super star of the music industry but this is a
story about his partnership with Jimmy Webb.
In 1969 Campbell sold more records than The Beatles, a surge in
popularity that came off the back of his TV show, The Glen Campbell Goodtime
Hour; and the same year he co-starred in True Grit with his friend John
Wayne. ("My horse," Campbell recalls, "was frightened of his horse.").
Though his instinct for a song is uncanny - he says he wanted to record
Jimmy Webb's By The Time I Get To Phoenix the moment he saw the title
- he has never acquired the respect accorded to some other performers;
perhaps because his songs were considered too middle-of-the-road for a pop
audience, too country for the middle-of-the-road market, and too mainstream
for country and western fans. He's written hit records, but sees himself
predominantly as an interpreter of work by others, including Larry Weiss,
who wrote Rhinestone Cowboy.
Often there is a bond between a performed and a song writer. Campbell says:
"I have had that kind of a bond," says Campbell, "with a man who has been
like a brother to me: Jimmy Webb."
When Campbell's first hit, Turn Around, Look At Me, was released,
Webb, 11 years his junior, was a 14-year-old living in Laverne,
Oklahoma.
"I heard that song on the radio," Webb tells me, on the phone from
his home in New York, "and 'I borrowed money from my dad. I had never
bought a record before."
He played the single, as he recalls, to the point that his father, a
Baptist preacher, implored him to stop. "I said, `Dad, this is what I
want to do. I want to write songs like this one.'
Then I went to my bedroom, and I knelt down and prayed. I said, `Dear
God, when I grow up, please let me write songs like Turn Around, Look At Me
and please let Glen Campbell sing them.' That was my prayer. And it was
answered. In detail."
By 1967, Webb had established himself as a precocious talent in the
publishing industry, and Campbell's recording of Webb's By The Time I Get
To Phoenix was a big hit. But Campbell, a self-confessed "slow-talking
country boy with conservative values", showed no inclination to meet the
composer at first. "He did three or four songs of mine without ever talking
to me," says Webb. "He knew
After Campbell had a hit with Galveston, though, their relationship turned a
corner. Webb tells me how he was living in the former Philippines embassy in
Hollywood "with 50 of my closest friends. Glen finally called me.
He said, `Do you think you could write another song about a town?' I'd
been driving around northern Oklahoma and Kansas, an area that's flat,
remote and almost surreal in its infinite distances. I'd seen a lineman up
on a telegraph pole, talking on the phone. It was such a curiosity to see a
human being perched up there, in those surroundings."
Readers of Rolling Stone and Mojo magazines have voted
Wichita Lineman one of the greatest songs ever recorded - accolades that
surprised even its composer. Certainly there's no question that this is the
greatest ever record about a telephone engineer from Kansas.
I wonder what would have happened is Jimmy Webb hadn't continued to dream
about writing songs like the one heard Glenn Campbell signing on the radio
when he was just 11 years old.
Story adapted from Robert Chalmers article "Fear and Loving in Las
Vegas."
|